Martina Kratochvílová

Recepce a transformace protestantské ikonografie. Lounský graduál Jana Táborského

Looking at the example of the Louny Gradual of Jan Táborský, from 1561-1563, the article treats the way in which the selection of Old Testament and New Testament themes was enriched in Czech Renaissance graduals, and how the range of the illuminated incipits was expanded. At the same time, it addresses ideas about the reception and transformation of the iconography of the Protestant milieu of the German lands.

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