Karel Srp

Zlom a odraz. K jednomu typu představového schématu kolem roku 1900

The author treats the impact of the motif of reflection in a water surface on the origin of modern painting and the move away from realistic depiction. He analyses examples of painting and photography from the turn of the 19th and 20th centuries. This analysis leads to a definition of two opposite approaches, outlined in terms of the concept of a skeletal pattern.

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