Adam Hnojil

Pomníková tvorba sochaře Josefa Maxe (1804-1855) ve druhé čtvrtině 19. století. Ideologický kontext kultury

 Josef Max was one of a number of German sculptors from North Bohemia whose output has been overlooked thus far. The author treats the ideological background behind this neglect and tries to rehabilitate Max's works, the best known of which is the Prague monument to Emperor Francis I, in the Czech and European context. 

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