3/2022

Editors Introduction

Barbora Kundračíková – Fedora Parkmann

Photo: Science: Art History. Mutual Interactions in the Era of a New Universalism

pp. 259–264

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Articles

Martin Jürgens

‘A crowd of mercurial globules’: Microscopic Examination as a Precursor to Etching Daguerreotypes in 1839 and 1840

pp. 265–278

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Kelley Wilder

Photographs, Science, and the Expanded Notebook

pp. 279–289

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Anaïs Mauuarin

Photographers in the Museum: French Anthropology and the Aesthetics of Images (1930–1950)

pp. 290–302

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Reports

Magdalena Vukovic – Andrea Fischer

The Camera as a Tool in Geography: Parallels between Friedrich Simony’s Pictures of the Dachstein and the Use of Photographic Images in Geography Today

pp. 303–311

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Nadiia Bernard Kovalchuk

Scientific Imagery Re-Coded: The Appropriation of Scientific Photography Aesthetics in The Late Soviet Non-Official ‘Creative’ Photography – The Case of Oleg Maliovany

pp. 312–324

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Reviews

Alena Pomajzlová

Eva Bendová — Ondřej Váša, Od balonu ke kosmickému vědomí. Aviatické eseje o české letecké duši

pp. 325–327

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Susanna Pasquali

Taťána Petrasová (ed.), Pietro Nobile (1776–1854). Neoclassicism between Technique and Beauty

pp. 327–328

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Lenka Bydžovská

Petr Wittlich, Rodin

pp. 329–331

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Vendula Hnídková

Jasna Galjer, The Foreign Designer. Antoinette Krasnik and the Wiener Moderne

pp. 332–333

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Karolína Fabelová

Catherine Krahmer, Julius Meier-Graefe: Ein Leben für die Kunst

pp. 334–336

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Marie Foltýnová

Michaela Čadilová — Zuzana Křenková — Vladislava Říhová (edd.), Sochy a města Morava. Výtvarné umění

pp. 336–339

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Annotations

pp. 340–343

Česká resumé / English summaries

pp. 344–349